That SFBC list
Nov. 18th, 2006 04:32 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
Can't resist lists...
Bold = read; * = loved; italic = started but couldn't finish; underline = on my shelf waiting to be read. Links to previous journal posts where I've talked about the respective books.
The Lord of the Rings: well obviously! It ought to get some kind of special exemption for these lists, like the Works of Shakespeare for Desert Island Discs. "The hundred greatest books apart from The Lord of the Rings". OTOH I really don't think The Silmarillion belongs here; only serious Tolkien geeks have read it, and it's interesting in the sense that a Michelangelo cartoon is interesting, in that it reveals a stage in the construction of a masterpiece, but in its own right it is an unfinished and flawed piece which hasn't influenced anything much.
Representing Asimov by the Foundation books I suppose is fair enough, but if they can include collections of stories by Harlan Ellison then why not some of the short stories which are a much more significant part of Asimov's output than his novels. And I don't know what The Caves of Steel is doing in this list; I rate it as pretty forgettable. I am not foolish enough to claim I've read everything of Asimov's but I've read a fair deal and nearly all of it is more worthwhile than Caves.
The two I've heard of most often but not read are Stranger in a Strange Land and Ender's Game; should I bother with either of those?
Childhood's end: what on earth is that? I don't even recognize the title, and Clarke has written a number of genre-defining books. Rendezvous with Rama is fair enough; I'm surprised not to see 2001 given that "influence on Hollywood" seems to be a major criterion for much of the list.
I've seen Bladerunner but not read the book.
The mists of Avalon didn't work for me, mainly because I made the mistake of reading it straight after Jo Walton's The King's Name which shows up its flaws like nothing else. But it makes sense to call it influential, I admit.
A canticle for Leibowitz and The left hand of darkness are the only two standouts here apart from LotR. I feel like a top 50 should be a bit more inspiring than this, somehow!
I've only read Triton of Delany's and absolutely adored it; if Dhalgren is a fraction as good I need to read it.
Thomas Covenant is one of only two books I've deliberately left unfinished because I wanted to stop reading them more than I wanted to know how they'd turn out. (The other is William Mayne's Sand, and I can remember the feeling of revulsion, though not much else about the book, clearly 20 years later.)
Harry Potter: blah. Unarguably influential, but I was underwhelmed by the first couple of books. Didn't hate them, they're ok, but no more than that.
On the beach: I don't think of Shute as an SF author, but I suppose this one is set in an imaginary future. I read almost all of his when I was a teenager, and I have somewhat muddled the plots in my head.
I've read some other stuff by John Brunner, notably The shockwave rider which was decades ahead of its time. I am not sure of the titles of the others I've read, and I haven't got round to Stand on Zanzibar.
The most fun thing to do with a list like this is to note the glaring omissions. I'm going to talk about books that seem like they ought to be on the list rather than books that I think are better, which means books that are a major influence on SF and fantasy and the culture in general. The list really needs HG Wells, say The Time Machine or War of the Worlds (I've only read the latter), and Jules Verne, perhaps 20000 leagues under the sea or Journey to the centre of the earth. Probably HP Lovecraft and ER Burroughs too, even though the latter is a crap writer; they helped to define the basic expectations of what SF means. Leaving out Brave New World pretty much makes the list worthless right there.
It may be just my prejudice but I would have thought Day of the Triffids ought to get a mention (though personally, I like The Chrysalids and The trouble with lichen better). 1984 and The handmaid's tale I guess are excluded because people argue about whether they're "really" SF, but if On the beach counts then they ought to.
Gaiman I assume missed out because they're too snobby to include graphic novels, and Sandman is clearly the main reason Gaiman is so important. But even something like Neverwhere would have made a lot of sense.
And, you know, something published in the last ten years wouldn't be so much to ask! I nominate Accelerando and Jonathan Strange & Mr Norrell, but I'm not necessarily up to the minute with recent SF/F.
Bold = read; * = loved; italic = started but couldn't finish; underline = on my shelf waiting to be read. Links to previous journal posts where I've talked about the respective books.
- The Lord of the Rings, J.R.R. Tolkien*
- The Foundation Trilogy, Isaac Asimov
- Dune, Frank Herbert
- Stranger in a Strange Land, Robert A. Heinlein
- A Wizard of Earthsea, Ursula K. Le Guin
- Neuromancer, William Gibson
- Childhood's End, Arthur C. Clarke
- Do Androids Dream of Electric Sheep?, Philip K. Dick
- The Mists of Avalon, Marion Zimmer Bradley
- Fahrenheit 451, Ray Bradbury
- The Book of the New Sun, Gene Wolfe
- A Canticle for Leibowitz, Walter M. Miller, Jr.*
- The Caves of Steel, Isaac Asimov
- Children of the Atom, Wilmar Shiras
- Cities in Flight, James Blish
- The Colour of Magic, Terry Pratchett
- Dangerous Visions, edited by Harlan Ellison
- Deathbird Stories, Harlan Ellison
- The Demolished Man, Alfred Bester
- Dhalgren, Samuel R. Delany
- Dragonflight, Anne McCaffrey
- Ender's Game, Orson Scott Card
- The First Chronicles of Thomas Covenant the Unbeliever, Stephen R. Donaldson
- The Forever War, Joe Haldeman
- Gateway, Frederik Pohl
- Harry Potter and the Philosopher's Stone, J.K. Rowling
- The Hitchhiker's Guide to the Galaxy, Douglas Adams
- I Am Legend, Richard Matheson
- Interview with the Vampire, Anne Rice
- The Left Hand of Darkness, Ursula K. Le Guin*
- Little, Big, John Crowley
- Lord of Light, Roger Zelazny
- The Man in the High Castle, Philip K. Dick
- Mission of Gravity, Hal Clement
- More Than Human, Theodore Sturgeon
- The Rediscovery of Man, Cordwainer Smith
- On the Beach, Nevil Shute
- Rendezvous with Rama, Arthur C. Clarke
- Ringworld, Larry Niven
- Rogue Moon, Algis Budrys
- The Silmarillion, J.R.R. Tolkien
- Slaughterhouse-5, Kurt Vonnegut
- Snow Crash, Neal Stephenson
- Stand on Zanzibar, John Brunner
- The Stars My Destination, Alfred Bester
- Starship Troopers, Robert A. Heinlein
- Stormbringer, Michael Moorcock
- The Sword of Shannara, Terry Brooks
- Timescape, Gregory Benford
- To Your Scattered Bodies Go, Philip Jose Farmer
The Lord of the Rings: well obviously! It ought to get some kind of special exemption for these lists, like the Works of Shakespeare for Desert Island Discs. "The hundred greatest books apart from The Lord of the Rings". OTOH I really don't think The Silmarillion belongs here; only serious Tolkien geeks have read it, and it's interesting in the sense that a Michelangelo cartoon is interesting, in that it reveals a stage in the construction of a masterpiece, but in its own right it is an unfinished and flawed piece which hasn't influenced anything much.
Representing Asimov by the Foundation books I suppose is fair enough, but if they can include collections of stories by Harlan Ellison then why not some of the short stories which are a much more significant part of Asimov's output than his novels. And I don't know what The Caves of Steel is doing in this list; I rate it as pretty forgettable. I am not foolish enough to claim I've read everything of Asimov's but I've read a fair deal and nearly all of it is more worthwhile than Caves.
The two I've heard of most often but not read are Stranger in a Strange Land and Ender's Game; should I bother with either of those?
Childhood's end: what on earth is that? I don't even recognize the title, and Clarke has written a number of genre-defining books. Rendezvous with Rama is fair enough; I'm surprised not to see 2001 given that "influence on Hollywood" seems to be a major criterion for much of the list.
I've seen Bladerunner but not read the book.
The mists of Avalon didn't work for me, mainly because I made the mistake of reading it straight after Jo Walton's The King's Name which shows up its flaws like nothing else. But it makes sense to call it influential, I admit.
A canticle for Leibowitz and The left hand of darkness are the only two standouts here apart from LotR. I feel like a top 50 should be a bit more inspiring than this, somehow!
I've only read Triton of Delany's and absolutely adored it; if Dhalgren is a fraction as good I need to read it.
Thomas Covenant is one of only two books I've deliberately left unfinished because I wanted to stop reading them more than I wanted to know how they'd turn out. (The other is William Mayne's Sand, and I can remember the feeling of revulsion, though not much else about the book, clearly 20 years later.)
Harry Potter: blah. Unarguably influential, but I was underwhelmed by the first couple of books. Didn't hate them, they're ok, but no more than that.
On the beach: I don't think of Shute as an SF author, but I suppose this one is set in an imaginary future. I read almost all of his when I was a teenager, and I have somewhat muddled the plots in my head.
I've read some other stuff by John Brunner, notably The shockwave rider which was decades ahead of its time. I am not sure of the titles of the others I've read, and I haven't got round to Stand on Zanzibar.
The most fun thing to do with a list like this is to note the glaring omissions. I'm going to talk about books that seem like they ought to be on the list rather than books that I think are better, which means books that are a major influence on SF and fantasy and the culture in general. The list really needs HG Wells, say The Time Machine or War of the Worlds (I've only read the latter), and Jules Verne, perhaps 20000 leagues under the sea or Journey to the centre of the earth. Probably HP Lovecraft and ER Burroughs too, even though the latter is a crap writer; they helped to define the basic expectations of what SF means. Leaving out Brave New World pretty much makes the list worthless right there.
It may be just my prejudice but I would have thought Day of the Triffids ought to get a mention (though personally, I like The Chrysalids and The trouble with lichen better). 1984 and The handmaid's tale I guess are excluded because people argue about whether they're "really" SF, but if On the beach counts then they ought to.
Gaiman I assume missed out because they're too snobby to include graphic novels, and Sandman is clearly the main reason Gaiman is so important. But even something like Neverwhere would have made a lot of sense.
And, you know, something published in the last ten years wouldn't be so much to ask! I nominate Accelerando and Jonathan Strange & Mr Norrell, but I'm not necessarily up to the minute with recent SF/F.
(no subject)
Date: 2006-11-18 04:59 pm (UTC)This is from the Science Fiction Book Club. You know, the Book of the Month people. It makes sense for them to focus on the books that were immediately recognized as science fiction or fantasy, and that sold like crazy. If a book was published as mainstream, or as a children's book, or as a romance, it's not what the list is trying to track. Neither is critical acclaim, nor the devotion of a small handful of devoted fans. James Nicoll wrote about this a few weeks ago when the list was published.
(no subject)
Date: 2006-11-19 07:49 am (UTC)I take your point about it being a book club list. I was trying to keep to the spirit of that with my suggestions: stuff which is generally agreed to be SF, and which is popular and influential rather than merely of good quality in my opinion (or that of critics or fans).
Off to read the discussion chez
(no subject)
Date: 2006-11-18 05:02 pm (UTC)There might be a good reason for not including anything published in the last ten years: giving time to see how important/influential they're likely to be.
For a couple of books on that list, the original short or intermediate-length story is better than the book as a whole.
And yes, there are short stories at least as important as any of these books.
Stranger and Ender's -- I would say they're worth looking at. Whether they're worth continuing to read is a matter of taste.
(no subject)
Date: 2006-11-19 08:11 am (UTC)I do understand why lists of greats exclude everything recent. But I think it's rather a cowardly choice, honestly. By the time something the listmakers mistakenly considered important has been consigned to oblivion, the list itself will be even deeper in oblivion, so it's not as if they need to fear embarrassment!
(no subject)
Date: 2006-11-18 06:04 pm (UTC)The first half of SiaSL knocked my socks off; the second half was okay but not outstanding. He's often quoted as an influence on Daniel Keys Moran, if that helps.
Ender's Game is okay, but not outstanding. It's also supposed to be from a child's PoV, and doesn't read like child PoV at all IMNSHO. (You should read Cyteen as a good example of a PoV that reads realistic all the way up from three up to over a hundred (amongst many other reasons).)
I've only read Triton of Delany's and absolutely adored it; if Dhalgren is a fraction as good I need to read it.
Nah, it's lousy. He set out, I have heard, to write a book which is neither science nor fiction; this about says it all.
I've read some other stuff by John Brunner, notably The shockwave rider which was decades ahead of its time. I am not sure of the titles of the others I've read, and I haven't got round to Stand on Zanzibar.
SoZ is in much the same vein as tSR.
(no subject)
Date: 2006-11-18 08:04 pm (UTC)(no subject)
Date: 2006-11-19 11:17 am (UTC)A few people have recommended me Interview with a vampire so maybe I should look out for it. Thanks.
(no subject)
Date: 2006-11-19 01:44 pm (UTC)Re: That SFBC list
Date: 2006-11-18 09:41 pm (UTC)ender's game doesn't fit into that category, but it's also not aged that badly (and isn't that old to begin with). it's alright; i wouldn't say that anyone "must" read it.
dalghren, yes, definitely. that's a regular re-reader for me, and i don't re-read a lot.
in addition to the ones you asked about:
for me, any sturgeon is a must read.
also, ellison stories, and dangerous visions. yes, he is an asshole. but man, could he once write, and he was sharp.
(no subject)
Date: 2006-11-19 12:45 am (UTC)I'd also nominate Accelerando if I could. And the Atrocity Archives, which is sillier, but I liked it.
I didn't go a bundle on Stand on Zanzibar. I know a lot of people really rate it, but I didn't get away with it. The unusual prose style annoyed me rather than entertained me. Shockwave Rider is really good, though.
Anne Rice is a surprise. I liked a lot of her novels, but I've not gone a bundle on her more recent stuff -- I think she's gone too safe, maybe too much tendency to tow the US evangelical line. The edge isn't there any more.
(no subject)
Date: 2006-11-19 01:27 am (UTC)I loved Ender's Game. Apologies to lethargic man who may like things more similarly to you, but it resonated with me (and apparently many people of all ages). I think it's an interesting classic worth reading anyway, and very easy to read. The scifi is a lot a background to watching Ender's life as young boy thrown into military training for space battles.
I read Stranger in a Strange Land because I wanted to read a Heinlien. It was interesting, but I didn't really enjoy it for itself. It had some great ideas and writing, but mainly seemed to be pushing propaganda I half already found obvious and half thought was stupid, in a way I found a bit blatant :)
I see Snow Crash on the list. Cryptonomicon is one of *my* favorites, I think one roughly loves it in direct proportion to how much you love mathmos :)
I haven't read any Anne Rice, but have heard enough jokes about most of her novels that I haven't ventured in. I assume the first couple are the best, and I assume worth trying if you like vampire noir, but don't know.
(no subject)
Date: 2006-11-19 01:35 pm (UTC)(no subject)
Date: 2006-11-19 04:39 pm (UTC)Stranger is very much of its time, as
Ender's Game is IMO very good.
Childhood's end: what on earth is that? I don't even recognize the title, and Clarke has written a number of genre-defining books.
Childhood's End is really brilliant for its time and genre, and definitely very influential; I really like it, though I know it strikes some people as vast and cool and unsympathetic.
I've seen Bladerunner but not read the book.
They are very very different things.
I've only read Triton of Delany's and absolutely adored it; if Dhalgren is a fraction as good I need to read it.
Dhalgren is very experimental and not like anything else and seems to be a book people either love or hate; on balance, I think it would be worth your while.
I've read some other stuff by John Brunner, notably The shockwave rider which was decades ahead of its time. I am not sure of the titles of the others I've read, and I haven't got round to Stand on Zanzibar.
Stand on Zanzibar does probably the most amazing medium-term future in all of SF - I've talked to you before about my theory that close range and far futures are both easier than medium-range, yes ?
And, you know, something published in the last ten years wouldn't be so much to ask! I nominate Accelerando and Jonathan Strange & Mr Norrell, but I'm not necessarily up to the minute with recent SF/F.
I think picking something published in the last ten years as "influential" would be a bit dubious; it seems too soon to tell, but I'm not aware of anything out there on which Jonathan Strange is a visible influence in the same way as there are genres forming in the wake of many of the books on this list. except possibly the recent success of the film of The Prestige.
Oh, and while Interview with the Vampire has flashes of talent, there's a lot of angstmuffinery and general self-indulgence in; to my mind, it's a real shame it became a bestseller, because a good editor might have been able to nurture said flashes had Anne Rice not been in a position to be a prima donna about her stuff and have it sell anyway; there are none of those flashes visible in any subsequent volumes, that I have read, and the author falling in love with a major character seems a very bad sign. It just about made the cut for me to keep when I moved here, but I'd not recommend it ahead of the other things I have mentioned.