World film project: Nigeria
Mar. 22nd, 2020 02:22 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
livNobody had any recs for Nigeria, so we poked around a bunch of internet best of lists and came up with Lionheart, (2018, dir Genevieve Nnaji), which turned out to be a great choice.
Lionheart is about a young business woman, Adaeze, who has to overcome sexism and save her father's struggling transport business. The director, Nnaji, also plays the title role and does a brilliant job. What I particularly loved about this film was that it undermined my genre expectations of feel-good feminist films. Adaeze doesn't have to outsmart and triumph over the sexist men, she has to learn to collaborate with people different from herself. And the company doesn't win by beating its rivals but by conducting a merger that at the start seemed unthinkable, requiring cooperation between her Igbo, Christian family and some Hausa (I think?) Muslims.
In particular, the eccentric uncle who is inexplicably appointed as acting MD when everybody knows it should have been Adaeze turns out to have some key strengths. He is in fact only annoying, and not a jerk. His people skills and intuition perfectly complement Adaeze's business acumen. (And how nice to have a female lead be the excessively competent and rational one!)
Adaeze does experience some sexism, particularly creepy men who expect sexual favours in return for investment in the business. But most of the antagonists are just nasty in a gender neutral way, like they want to sell the business to a conniving rival for quick money.
Anyway that was a really sweet date-night movie and I do feel our film project is back on track
Any recs for Bangladeshi films? We are most excited about 21st century films not primarily about violence or depressing real-world history.
Lionheart is about a young business woman, Adaeze, who has to overcome sexism and save her father's struggling transport business. The director, Nnaji, also plays the title role and does a brilliant job. What I particularly loved about this film was that it undermined my genre expectations of feel-good feminist films. Adaeze doesn't have to outsmart and triumph over the sexist men, she has to learn to collaborate with people different from herself. And the company doesn't win by beating its rivals but by conducting a merger that at the start seemed unthinkable, requiring cooperation between her Igbo, Christian family and some Hausa (I think?) Muslims.
In particular, the eccentric uncle who is inexplicably appointed as acting MD when everybody knows it should have been Adaeze turns out to have some key strengths. He is in fact only annoying, and not a jerk. His people skills and intuition perfectly complement Adaeze's business acumen. (And how nice to have a female lead be the excessively competent and rational one!)
Adaeze does experience some sexism, particularly creepy men who expect sexual favours in return for investment in the business. But most of the antagonists are just nasty in a gender neutral way, like they want to sell the business to a conniving rival for quick money.
Anyway that was a really sweet date-night movie and I do feel our film project is back on track
Any recs for Bangladeshi films? We are most excited about 21st century films not primarily about violence or depressing real-world history.
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Date: 2020-03-22 04:39 pm (UTC)(no subject)
Date: 2020-03-22 05:13 pm (UTC)