Reading Wednesday 1/05
May. 1st, 2024 07:53 pmRecently read: The pomegranate gate by Ariel Kaplan. (c) 2023 Ariel Kaplan; pub Solaris 2023; ISBN 978-1-78618-824-3. Someone around DW recommended it and it really sounded like my sort of book, so I put it on my wishlist and it showed up as a late December present. It is gorgeously written and original, but ultimately quite depressing.
I absolutely love the worldbuilding of The pomegranate gate! There are portals from Inquisition-era Spain to a fantasy world populated by powerful and almost immortal mazziks. Everything is described in very vivid, yet otherworldly, detail. There's loads of Jewish mythology blended with tropes of portal fantasy, and the story is impressively dramatic and original. I didn't find the characters entirely memorable, though, and had to keep referring to the cast list often enough that I got a bit bored.
Also I felt somewhat let down by the ending, which felt really rushed, and also instead of a resolution we get lots of betrayal and death and failure. I don't mind a sad ending, but it didn't feel like the book had built up to a tragedy; it was as unsatisfying as a happy ending suddenly shoehorned in when the protagonists are in an impossible situation.
That said, there is a lot to admire about tPG. I love that it's absolutely unapologetically traditional fantasy, it's not ironic or subversive, but it is modern in that it eschews gender and ethnic stereotypes, and not everybody is straight but it isn't specifically about making a big point of that. It's also unapologetically Jewish; you could absolutely read it as a completely made-up mythology with lots of invented words if you didn't recognize the terms and allusions, but it's very much rooted in what it is. TPG reads as if Kaplan probably cut her teeth on fanfic; I don't mean that as a criticism, but it has a particular style. I enjoyed that it explores in depth the idea of a human, even a special chosen human, falling in love with a supernatural being; it's not just an elaborate set-up for inhumanly sexy sex scenes, nor a soppy romance where love magically fixes everything. In fact it's mostly about pining rather than actual relationship.
I'm sorry I've forgotten whose review pointed me to this one.
rachelmanija maybe?
Currently reading: Menewood by Nicola Griffith. Long-awaited sequel to Hild, which I absolutely adored.
hatam_soferet lent it to me so I didn't have to wait for it to be officially released in the UK. So far I'm not loving it quite as much as the first volume, but equally I have devoured more than half the 700 page tome in about a day.
Up next: I got lots of books as Seder presents as usual. I think the one I'm most excited about is The last watchman of old Cairo by Michael David Lukas.
I absolutely love the worldbuilding of The pomegranate gate! There are portals from Inquisition-era Spain to a fantasy world populated by powerful and almost immortal mazziks. Everything is described in very vivid, yet otherworldly, detail. There's loads of Jewish mythology blended with tropes of portal fantasy, and the story is impressively dramatic and original. I didn't find the characters entirely memorable, though, and had to keep referring to the cast list often enough that I got a bit bored.
Also I felt somewhat let down by the ending, which felt really rushed, and also instead of a resolution we get lots of betrayal and death and failure. I don't mind a sad ending, but it didn't feel like the book had built up to a tragedy; it was as unsatisfying as a happy ending suddenly shoehorned in when the protagonists are in an impossible situation.
That said, there is a lot to admire about tPG. I love that it's absolutely unapologetically traditional fantasy, it's not ironic or subversive, but it is modern in that it eschews gender and ethnic stereotypes, and not everybody is straight but it isn't specifically about making a big point of that. It's also unapologetically Jewish; you could absolutely read it as a completely made-up mythology with lots of invented words if you didn't recognize the terms and allusions, but it's very much rooted in what it is. TPG reads as if Kaplan probably cut her teeth on fanfic; I don't mean that as a criticism, but it has a particular style. I enjoyed that it explores in depth the idea of a human, even a special chosen human, falling in love with a supernatural being; it's not just an elaborate set-up for inhumanly sexy sex scenes, nor a soppy romance where love magically fixes everything. In fact it's mostly about pining rather than actual relationship.
I'm sorry I've forgotten whose review pointed me to this one.
Currently reading: Menewood by Nicola Griffith. Long-awaited sequel to Hild, which I absolutely adored.
Up next: I got lots of books as Seder presents as usual. I think the one I'm most excited about is The last watchman of old Cairo by Michael David Lukas.
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Date: 2024-05-01 08:30 pm (UTC)I liked The Pomegranate Gate enormously but I don't think I ever wrote it up properly, so it probably wasn't me - but I probably got it from "recommended somewhere on DW" too.
I think it ended on a cliffhanger and the next book isn't out until later this year?
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